This trend, now in its second decade, has blossomed into Hollywood’s leading genre. In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. By taking a postmodern approach, the chapter critically interrogates key issues of family and trauma, and reflects on the ideologies present in superhero texts, to examine how they function as a “barometer to measure our real-world figures and. text’s tting” with greater flexibility and complexity, exploring the hero/ villain dichotomy (Sanders, 2006, p. The Umbrella Academy (2019-Present), adapted by Netflix from the comic series of the same name, tackles the superhero narrative by depicting a family of ‘powered’ siblings who band together to prevent the apocalypse. A number of these texts have taken a postmodern approach by imbuing their characters and narratives with ambiguous value systems, while reflecting on discussions of morality, justice, and vigilantism (Kohut, 2014). Contemporary adaptations within the superhero genre have proven to be a lucrative and popular market throughout the entertainment media landscape, particularly on post-television platforms which have allowed for a “more relaxed narrative rhythm and a more cinematic style” (Pagello, 2017, p.
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